FEATURE FILM
SHADOWS ON THE CORNICHE
When the apparent accidental death of a highly respected Emirati business lawyer is quietly closed by the authorities, a principled and
methodical Abu Dhabi investigator reopens the case and is drawn into a sophisticated web of international financial pressure, legal
manipulation, and diplomatic influence. As he uncovers that the truth cannot be exposed without destabilizing the very system he believes in,
he is forced to choose between public justice and a deeper, invisible form of accountability — one that protects the city’s integrity while
exacting a silent, irreversible price on those responsible.
FEATURE FILM
MY HAPPY DAYS
A story of “creative theft” and betrayal at the moment when gratitude is expected. It is the story of a friendship between two very different
characters, violated by submission to the rules of the “system.” It explores the difficult and often unresolved relationship between culture and
talent and offers a reflection on Italian cinema, where everything seems to converge toward the banalization of works in the name of pleasing
an audience that ultimately does not exist. The story is told in the tradition of the great commedia all’italiana, where dramatic themes are
addressed with lightness and a smile.
FEATURE FiILM
BARTOLO LONGO – THE SAINT OF THE NEW POMPEI
The lawyer Bartolo Longo, a former anticlerical and follower of spiritualism, journeys through the darkness of his conscience to rediscover faith
and become the founder of the Sanctuary of Pompei, transforming his personal redemption into a mission of hope for thousands of forgotten
souls.
FEATURE FILM
LEMON MILK
The film tells the drama of Mario, a former convict seeking redemption who becomes a vigilante operating above the law. An unconscious hero
who devises a mad plan to cleanse the violent and corrupt society in which he lives.
FEATURE FILM
KATLETI
Two weed-stoned friends accidentally swap their suitcase with one belonging to the Russian mafia. Between free cocaine, corpses turned into
Moldovan meatballs, and a mysterious device, their post-Amsterdam vacation threatens to provoke an international war.
TV SERIES
OMAR AL-MUKHTAR: THE LION OF THE DESERT
Set in Italian-occupied Libya during the early 20th century, the series tells the story of Omar al-Mukhtar, a respected Qur’anic scholar and
spiritual leader who emerges as the guiding force of a prolonged resistance against colonial rule. Combining guerrilla warfare with deep moral
authority, Omar leads a fragmented people through years of repression, exile, and sacrifice, confronting a modern military machine while
remaining steadfast to principles of faith, justice, and human dignity. More than a war story, the series explores leadership without ambition,
resistance without hatred, and the enduring power of spiritual integrity in the face of overwhelming force.
DOCUMENTARY FILM
DISPLACED PERSON – CAMP 34
The film questions the notion of hospitality: as a physical place, but also as a language, a photograph, a handwritten name. It questions the sea
— a surface of passage, journey, loss, and rebirth. Before filming, listening. Entering into contact with the protagonists, welcoming their
silences, respecting their time. Archives become the emotional core: registers, photographs, letters that define the film’s invisible plot. Without
dramatization — only the truth of gestures. In long takes, pauses, waiting, breathing. The rhythm follows real life. Scenes reveal themselves
rather than being staged. The film grows like a memory. In its suspended ending, the journey to Italy is not completed — but in the fragile,
luminous moment of decision, something has already changed.
DOCUMENTARY FILM
THE SCHOOL OF REFORMS
Born from the experience of having once been students ourselves, this documentary reflects on the realization that we were following the path
laid out by the educational system without truly understanding where it was leading us as human beings. Returning to the school environment
as external observers, retracing the educational process through its various stages, becomes a way to ask — and raise — both new and old
questions.
DOCUMENTARY FILM
FROM “TRECCHINA TO JEQUIÉ”
A human and literary perspective on Italian emigration to Brazil, going beyond statistics and numbers.